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The Art of Leadership in the United Nations: Our duty to find new forms

In the third edition of this report we explore UN leadership in three critical areas: facing normative erosion, operating in fragile settings, and responding to urgent polycrisis situations. It is aimed at those interested in promoting effective and principled leadership within the UN.

Publication details

Title:The Art of Leadership in the United Nations: Our duty to find new forms
Type:The Art of Leadership in the United Nations
Issue:3
Author:Various authors
Published:3 September 2024
Licence: All rights reserved
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About the report

The ‘Art of Leadership in the United Nations’ is explored against a global context, demanding in scope and scale rarely seen before. This publication aims to contribute to reflection and dialogue on United Nations leadership at an institutional and an individual level.

The UN is at the centre of a fragmented and ever-evolving multilateral system and faces the overwhelming constant presence of parallel crises, resource uncertainty and decreasing trust in its capacity and credibility. These challenges can no longer be met just by tweaking existing practices and policies and leaning on the experiences of yesterday. There is a growing awareness of the need for fundamental shifts in the leadership mindset, to ‘flip the orthodoxy’ and ‘do business as unusual.’

In this edition we make an enquiry into leadership across three dimensions of acute relevance to the UN today: leadership against a backdrop of normative erosion, leadership in fragile settings, and leadership marked by urgency and polycrisis. Our intended audience is everyone with an interest in enabling the most efficient and principled UN leadership. As Dag Hammarskjöld put it during the Cold War:

‘Even in the political sphere we are likely to look to the creations of the past with nostalgia. But we know that those creations can never be brought back to life, that ours is the duty to find new forms, starting often from nothing. And we know that these forms will not be found without the courage of that deep sincerity which is shown in the search of the great artists of our time, or without the firmness and perseverance which they have demonstrated in their relentless efforts to reach mastery.’

Dag Hammarskjöld, Address on occasion of the opening ceremonies of the 25th Anniversary of the Museum of Modern Art, New York, 1954.

Contents


Foreword

By Per Knutsson

Introduction

A reader’s guide

 

Chapter 1


Normative Erosion

Bend the sail: Empathy and listening in a norm-breaking age 


Mark Malloch Brown

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Back to basics: Fighting for women’s rights under the Taliban  


Alison Davidian

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Retaining the focus on human rights and development to protect normative values 


Ramiz Alakbarov

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Norm-based leadership in a time of normative erosion


Elia Yi Armstrong

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Chapter 2


Fragile settings

Is the UN prepared for the leadership challenges of today? 


Ameerah Haq

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Humanitarian leadership under pressure  


Angelita Caredda

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Addressing fragility and conflict as a global public good


Franck Bousquet

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Chapter 3


Urgency and polycrisis

Conducting ‘business as unusual’ in an era of urgency and polycrisis – the role of the RC 


Resident Coordinators

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UN leadership between the polycrisis and a polycentric international system 


Comfort Ero

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Talking about intergenerational leadership in an era of urgency is not enough


Saumya Aggarwal

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UN Leadership in emergencies and outbreaks


David Nabarro

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Facing the emergency – UN leadership responses to the challenges of forced displacement 


Raouf Mazou

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Pivoting for more dynamic impact – Enhancing UN development policy leadership during times of polycrisis


John Hendra

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Leadership capacity building steering the UN towards a more resilient future


Berin McKenzie

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About the art


The title of the report series has become a trademark for this publication with each edition focusing on different artistic expressions. Dag Hammarskjöld himself often pointed to the parallels between leadership and art, where the task is to create meaning within a certain framework through skill and knowledge, but also creativity, courage and perseverance.

This report presents objects and sculptures that belonged to Dag Hammarskjöld, each one dear to him for different reasons. Dag Hammarskjöld carefully chose the objects he surrounded himself with – objects that, through the symbolism they embodied or the stories they communicated, guided and strengthened him in shaping his own decisions and leadership choices.

Not only is this a way of connecting the content of the report with his spirit, but the notion of ‘form’ and what goes into shaping and moulding also speaks to the notion of ‘finding new forms’ and ‘crafting innovative ways’ of leading in a new, challenging reality. It is our hope that the contributions in this report will help shape new mindsets and ideas for supporting UN leadership today and tomorrow.

 

 

Backåkra Museum

All fourteen objects featured in this report are part of the museum collection at the Backåkra museum, Skåne. Backåkra is a Swedish farmhouse, dating back to the 19th century, and was purchased by Dag Hammarskjöld in 1947. The house was after his death bequeathed to the Swedish Tourist Association (STF), which later had the farm converted into a museum.

The museum today manages a collection of approximately 400 objects, containing artefacts, sculptures, gifts, paintings and furniture that all used to belong to Dag Hammarskjöld. Today, part of this collection is on display at the museum in southern Sweden.

 

Click here to learn more about the Featured objects